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I've played with a variety of audio equipment over the years. At the
moment I have only a few hifi components until I settle into a new home.
I had a pair of Quad
ESL63 speakers in the 80s and loved them, and was keen to get back to that
electrostatic sound. At the time the Quad 988 and 989 was their
current model; Quad have since released another electrostatic loudspeaker.
Electrostatic panels
differ from 'ordinary' speakers in that a very thin plastic sheet is given a conductive coating and
stretched between two electrode plates. The music signal causes the thin
plastic sheet to move between the plates. Because the plastic sheet is so
light, it reacts faster than any cone speaker; as it is mounted in an open
frame there are no box colourations; and a sufficiently large panel can
reproduce a full frequency range.
Buying a pair of Quad
989 speakers second hand was a big mistake as they started to make strange fizzing
noises. Quad, despite making their speakers in China these days, still
have good service and their charges for
replacement elements were not extortionate. I miss the real tree wood
and build quality of the ESL-63 though.
A friend lent me his Technics SL-110 direct drive turntable with SME arm and
Shure cartridge that I really love (it makes a change from all the belt
driven bouncy platters that define audiophile turntables now). I'd love to fit it with an SME series V arm; I joke
with him about needing something straight black and muscular (the adjectives
I use to describe the SME V).
Musically speaking I have fairly wide
tastes. I don't usually stray into rap or hip-hop territory and my interest
in classical and opera is low, but that doesn't mean I don't listen or
enjoy. So the collection spans music of the 60's including the Beatles,
Beach Boys and Elvis Presley, a little Motown; the 70s taking us from Abba
to Blondie, the Police, and Kate Bush. In the 80's I discovered Peter
Gabriel's 3rd - untitled - album, Bucks Fizz won Eurovision and Trevor Horn
became a production GOD making hits.
Trevor's achievements include the Buggles
(Video Killed the Radio Star), Dollar (Mirror Mirror is the most perfect
pure bubblegum pop), ABC (the Look of Love and Poison Arrow), The Art of
Noise and Propaganda, Frankie Goes to Hollywood, Grace Jones (Slave to the
Rhythm), The Pet Shop Boys, Seal and so many more...
It seems Trevor helped a lot of 80s bands
become famous, but other artists were rising (and some falling
spectacularly) as Stock Aitken and Waterman sent an endless stream of
artists into the UK charts. Rick Astley, Kylie Minogue, Dead or Alive...
The 80's was also the time I started
going out to clubs, every night it seems now looking back. I seriously
recall the week starting out with a couple of nights at local clubs til 2am,
followed by a night in central London, the occasional Thursday night 'off',
Friday and Saturday night out til at least 4am (usually 6am), and sleeping
most of Sunday. I have a legacy of 12" singles from buying all the music I
danced to during the 80s.
In the 90s I mellowed out, started
listening to more album oriented rock and became more interested in
computers. By the year 2000 I'd lost interest in the latest music offerings
and instead had invested heavily in DVD. Having most of my CD collection
stolen in 1997 didn't help.
But now there's an uneasy alliance
between my vinyl, CD, DVD and even mp3 and other formats. I bought
a 'Squeezebox' that allows music streaming from your computer and internet
radio.

Typically soon after I bought mine they
released a version with a black front which I would have preferred. I
had my Squeezebox modified by Wayne at The Bolder Cable Company; replacing
ICs and noisy capacitors, uprated DAC and better phono sockets.
I've seen a number of bands live over the
years. In the 80's there was Gary Numan, Howard Jones and Japan, plus short
'public appearances' from bands like Odyssey at clubs. More recently I've
seen Take That, George Michael, Kraftwerk and Sparks. The following links
take you to some photos of those concerts.


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